Archives

Assemblages and Mixed Media

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Je me souviens d’elle (I Remember Her)

Encaustic, found clothing, plant material, R 17” x 24” x 4”.
Tu m’appelles (You Are Calling Me)

Encaustic, found clothing, foam core board, aluminum powder,
on braced wood panel (6” x 6”); 19” x 19” x 4”.
Navire-Oiseau (Boat-Bird)

Encaustic, found fabric, coffee, metal, fire, on metal hook; 16” x 17” x 2”. Metal Support: Thierry Hoyau
Ville-Tempête (City-Storm)

Encaustic, found fabric, coffee, metal, fire, on metal hook; 17” x 17” x 3.5”. Metal Support: Thierry Hoyau
Épée-Montagne (Sword-Mountain)

Encaustic, found fabric, coffee, metal, fire, on metal hook;
42” x 3.5” x 3.5”. Metal Support: Thierry Hoyau
Sur le bord de la route (On the Side of the Road)

Encaustic, found clothing, wood, metal, fire; 12” x 36” x 5”.
Au bout du champ (At the End of the Field)

Repurpose clothing, encaustic medium, rusted metal, burlap, fire;
58” x 26” x 5”.
Ce n’est qu’un leurre (It’s Just a Decoy)

Encaustic, found clothing, found wood, fire, metal; 17” x 31”.
Framed: 21” x 34”.
Il passait par là (He Was Passing by)

Encaustic, found clothing, silk, metal, fire, on metal hook; 27” x 15” x 4”. Metal Support: Thierry Hoyau
En marchant dans la rue (While Walking in the Street)

Encaustic, found vintage clothing, metal; 21” x 23” x 6”.
Innocence

Encaustic medium, found clothing, fire, metal, glue pH neutral;
28” x 31” x 16”.
Je voulais te dire (I Wanted to Tell You)

Encaustic medium, found clothing, fire, metal, glue pH neutral;
29” x 18” x 5”.
Baptême du feu (Baptism by Fire)

Encaustic medium, found vintage clothing, artificial flower, metal, fire, glue pH neutral; 20” x 30” x 5”.
Le défaut de la cuirasse (Point of Weakness)

Encaustic medium, found clothing, found artificial flower, metal;
18” x 40” x 5”.
Forger son âme (Forging One’s Soul)

Encaustic medium, found clothing, found artificial flower, metal;
22” x 40” x 5”.
Les fleurs de l’enfer (Hell’s Flowers)

Encaustic medium, cotton, found artificial flowers, burlap, aqua-dispersion of pigment, fire, metal; 18” x 45” x 5”.
Jamais plus (Never Again)

Encaustic medium, cotton, aqua-dispersion of pigment, metal;
18’’ x 40’’ x 3’’.

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Paintings

Origine (Origin)

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Origine (Origin) #1

Found, deconstruct, and repurposed jeans
(fibre composition unknow, top part only), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
14” x 14” x 5”.
Origine (Origin) #2

Origine (Origin) #2
Found, deconstruct, and repurposed jeans
(fibre composition unknow, top part only), encaustic medium, fire, staples, Pan Pastels on a 8” circular wood panel;
10” x 10” x 4”.
Origine (Origin) #3

Found, deconstruct, and repurposed jeans
(fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
17” x 13” x 6”.
Origine (Origin) #4

Found, deconstruct, and repurposed jeans
(fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
14” x 14” x 5”.
Origine (Origin) #5

Found, deconstruct, and repurposed jeans
(fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 10” circular wood panel;
12” x 12” x 5”.
Origine (Origin) #6

Found, deconstruct, and repurposed jeans
(fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
14” x 14” x 5”.
Origine (Origin) #7

Found, deconstruct, and repurposed jeans
(fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
14” x 14” x 5”.
Origine (Origin) #8

Found, deconstruct, and repurposed jeans
(fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
14” x 14” x 5”.

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Avec toi (With You)

Encaustic, found shoes, cotton, plant material, pigment stick, Lepage PL 3X glue and acrylic primer covered by two coats of encaustic gesso,
on braced wood panel; 30” x 30”.
Émerger (Emerge)

Encaustic, found and repurposed shirt, sand, plant material, on braced wood panel;
30” x 30”.
J’entends sa voix (I Hear her Voice)

Encaustic, plant material, burlap, metal, silk, on braced wood panel;
30” x 30”. Framed.
C’est lui (It’s Him)

Encaustic, found clothing, plant material, fire, on braced wood panel; 30” x 30”. Framed.
Rêver aux arbres (Dreaming of Trees)

Encaustic, found clothing, plant material, fire, on braced wood panel; 30” x 30”. Framed.
Perdue et retrouvée (Lost and Found Again)

Encaustic, found clothing, burlap, pastels on a braced wood panel;
24” x 24”.
Tu es partie (You Went Away)

Encaustic, plant material, cotton, silk, R 24” x 24”.
Quelque part (Somewhere)

Encaustic, burlap, silk, on a braced wood panel; 24’’ x 24’’.
Un souvenir (A Memory)

Encaustic, found clothing, silk, graphite, walnut ink, fire, on two braced wood panels (12” x 12” each); 12” x 24”.
Une séparation (A Separation)

Encaustic, found clothing, silk, metal, dry pastels, fire,
on two braced wood panels (12” x 12” each); 12” x 24”.
Promenade d'été (Summer Stroll)

Encaustic, R 16" x 16".
Promenade d’hiver (Winter Stroll)

Encaustic, R 16" x 16".
Seul (Alone)

Encaustic, cotton, metal, R 16” x 16” x 2.75”.

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Où suis-je ? (Where Am I?)

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Où suis-je ? (Where Am I?)—Series of four paintings—Number 1

Encaustic, silk, fire, on braced wood panel; 12” x 12”.
Où suis-je ? (Where Am I?)—Series of four paintings—Number 2

Encaustic, silk, fire, on braced wood panel; 12” x 12”.
Où suis-je ? (Where Am I?)—Series of four paintings—Number 3

Encaustic, silk, fire, on braced wood panel; 12” x 12”.
Où suis-je ? (Where Am I?)—Series of four paintings—Number 4:

Encaustic, silk, fire, on braced wood panel; 12” x 12”.

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Works on paper

Gouttes (Drops) – Serie number 2

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Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 1:
Sennelier shellac based ink on yupo; 11” x 14”.
Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 2:
Sennelier shellac based ink on yupo; 11” x 14”.
Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 3:
Sennelier shellac based ink on yupo; 11” x 14”.
Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 4:
Sennelier shellac based ink on yupo; 11” x 14”.
Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 5:
Sennelier shellac based ink on yupo; 11” x 14”.
Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 6:
Sennelier shellac based ink on yupo; 11” x 14”.
Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 7:
Sennelier shellac based ink on yupo; 11” x 14”.
Gouttes – Série numéro 2 (Drops – Series number 2)

Series of 8 works on Yupo Paper (200 gsm)—Number 8:
Sennelier shellac based ink on yupo; 11” x 14”.

Dédales (Mazes)

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Dédales (Mazes)

Series of 8 works on paper — Number 1:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.
Dédales (Mazes)

Series of 8 works on paper — Number 2:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.
Dédales (Mazes)

Series of 8 works on paper — Number 3:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.
Dédales (Mazes)

Series of 8 works on paper — Number 4:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.
Dédales (Mazes)

Series of 8 works on paper — Number 5:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.
Dédales (Mazes)

Series of 8 works on paper — Number 6:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.
Dédales (Mazes)

Series of 8 works on paper — Number 7:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.
Dédales (Mazes)

Series of 8 works on paper — Number 8:
Sennelier shellac-based ink on yupo (200 gsm);
11” x 14”.

Nuit rouge (Red Night)

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Nuit rouge (Red Night)

Series of 4 works on Yupo Paper (200 gsm)—Number 1:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
Nuit rouge (Red Night)

Series of 4 works on Yupo Paper (200 gsm)—Number 2:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
Nuit rouge (Red Night)

Series of 4 works on Yupo Paper (200 gsm)—Number 3:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
Nuit rouge (Red Night)

Series of 4 works on Yupo Paper (200 gsm)—Number 4:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.

Bleu nuit (Night Blue)

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Bleu nuit (Night Blue)

Series of 4 works on Yupo Paper (200 gsm)—Number 1:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
Bleu nuit (Night Blue)

Series of 4 works on Yupo Paper (200 gsm)—Number 2:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
Bleu nuit (Night Blue)

Series of 4 works on Yupo Paper (200 gsm)—Number 3:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
Bleu nuit (Night Blue)

Series of 4 works on Yupo Paper (200 gsm)—Number 4:
Art Graf Water-Soluble Pencil on yupo; 11” x 14”.

Ce qui nous tient (What Is Holding Us)

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Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 1:
monotype on Arches paper (300 gsm); 18” x 21”.
Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 2:
monotype on Arches paper (300 gsm); 18” x 21”.
Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 3:
monotype on Arches paper (300 gsm); 18” x 21”.
Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 4:
monotype on Arches paper (300 gsm); 18” x 21”.
Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 5:
monotype on Arches paper (300 gsm); 18” x 21”.
Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 6:
monotype on Arches paper (300 gsm); 18” x 21”.
Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 7:
monotype on Arches paper (300 gsm); 18” x 21”.
Ce qui nous tient (What Is Holding Us)

Series of eight works on paper—Number 8:
monotype on Arches paper (300 gsm); 18” x 21”.

Traces du phœnix (Marks of the Phoenix)

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Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 1: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 2: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 3: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 4: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 5: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 6: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 7: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix – Noir (Marks of the Phoenix – Black)

Series of eight works on paper—Number 8: silk, fire, encaustic medium,
on Velin d’Arches (Black, 250 gsm); 22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 1: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 2: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 3: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 4: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 5: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 6: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 7: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.
Traces du Phœnix (Marks of the Phoenix)

Series of eight works on paper—Number 8: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
22” x 22”.

Traversée vers nulle part (Crossing into Nowhere)

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Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 1: R 22” x 22”.
Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 2: R 22” x 22”.
Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 3: R 22” x 22”.
Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 4: R 22” x 22”.
Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 5: R 22” x 22”.
Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 6: R 22” x 22”.
Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 7: R 22” x 22”.
Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

Series of eight works on paper—Number 8: R 22” x 22”.

Passerelles (Footbridges)

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Passerelles (Footbridges)

Series of eight works on paper—Number 1: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.
Passerelles (Footbridges)

Series of eight works on paper—Number 2: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.
Passerelles (Footbridges)

Series of eight works on paper—Number 3: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.
Passerelles (Footbridges)

Series of eight works on paper—Number 4: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.
Passerelles (Footbridges)

Series of eight works on paper—Number 5: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.
Passerelles (Footbridges)

Series of eight works on paper—Number 6: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.
Passerelles (Footbridges)

Series of eight works on paper—Number 7: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.
Passerelles (Footbridges)

Series of eight works on paper—Number 8: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
Encaustic gesso at the back of the paper.

Brèches (Breaches)

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Brèches (Breaches)

Series of eight works on paper — Number 1: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
Brèches (Breaches)

Series of eight works on paper — Number 2: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
Brèches (Breaches)

Series of eight works on paper — Number 3: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
Brèches (Breaches)

Series of eight works on paper — Number 4: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
Brèches (Breaches)

Series of eight works on paper — Number 5: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
Brèches (Breaches)

Series of eight works on paper — Number 6: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
Brèches (Breaches)

Series of eight works on paper — Number 7: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
Brèches (Breaches)

Series of eight works on paper — Number 8: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.

Duo

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Duo

Series of eight works on paper—Number 1: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.
Duo

Series of eight works on paper—Number 2: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.
Duo

Series of eight works on paper—Number 3: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.
Duo

Series of eight works on paper—Number 4: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.
Duo

Series of eight works on paper—Number 5: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.
Duo

Series of eight works on paper—Number 6: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.
Duo

Series of eight works on paper—Number 7: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.
Duo

Series of eight works on paper—Number 8: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

Empreintes (Imprints)

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Empreintes (Imprints)

Series of eight works on paper – Number 1: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.
Empreintes (Imprints)

Series of eight works on paper – Number 2: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.
Empreintes (Imprints)

Series of eight works on paper – Number 3: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.
Empreintes (Imprints)

Series of eight works on paper – Number 4: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.
Empreintes (Imprints)

Series of eight works on paper – Number 5: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.
Empreintes (Imprints)

Series of eight works on paper – Number 6: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.
Empreintes (Imprints)

Series of eight works on paper – Number 7: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.
Empreintes (Imprints)

Series of eight works on paper – Number 8: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
24.5” x 39”.

Noire espérance (Black Hope)

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Noire espérance (Black Hope)

Series of four works on paper — Number 1: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
Japanese Paper Kazuko Kozo; 19” x 24.5”.
Noire espérance (Black Hope)

Series of four works on paper — Number 2: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
Japanese Paper Kazuko Kozo; 19” x 24.5”.
Noire espérance (Black Hope)

Series of four works on paper — Number 3: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
Japanese Paper Kazuko Kozo; 19” x 24.5”.
Noire espérance (Black Hope)

Series of four works on paper — Number 4: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
Japanese Paper Kazuko Kozo; 19” x 24.5”.

À feu et à sang (Fire and Blood)

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À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 1: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39".
À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 2: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39".
À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 3: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39".
À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 4: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39".
À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 5: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39"
À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 6: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39".
À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 7: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39".
À feu et à sang (Fire and Blood)

Series of eight works on paper — Number 8: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
24.5" x 39".

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Photographs: Alain Lefort