Archives

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Je me souviens d’elle (I Remember Her)

  Encaustic, found clothing, plant material, R&F Pigment Sticks, metal, graphite powder, aluminum powder, cardboard,
  on braced wood panel (4” x 8”); 17” x 24” x 4”.

• 

  Tu m’appelles (You Are Calling Me)

  Encaustic, found clothing, foam core board, aluminum powder,
  on braced wood panel (6” x 6”); 19” x 19” x 4”.

• 

  Navire-Oiseau (Boat-Bird)

  Encaustic, found fabric, coffee, metal, fire, on metal hook; 16” x 17” x 2”. Metal Support: Thierry Hoyau

• 

  Ville-Tempête (City-Storm)

  Encaustic, found fabric, coffee, metal, fire, on metal hook; 17” x 17” x 3.5”. Metal Support: Thierry Hoyau

• 

  Épée-Montagne (Sword-Mountain)

  Encaustic, found fabric, coffee, metal, fire, on metal hook;
  42” x 3.5” x 3.5”. Metal Support: Thierry Hoyau

• 

  Sur le bord de la route (On the Side of the Road)

  Encaustic, found clothing, wood, metal, fire; 12” x 36” x 5”.

• 

  Au bout du champ (At the End of the Field)

  Repurpose clothing, encaustic medium, rusted metal, burlap, fire;
  58” x 26” x 5”.
  

• 

  Ce n’est qu’un leurre (It’s Just a Decoy)

  Encaustic, found clothing, found wood, fire, metal; 17” x 31”.
  Framed: 21” x 34”.

• 

  Il passait par là (He Was Passing by)

  Encaustic, found clothing, silk, metal, fire, on metal hook; 27” x 15” x 4”. Metal Support: Thierry Hoyau

• 

  En marchant dans la rue (While Walking in the Street)

  Encaustic, found vintage clothing, metal; 21” x 23” x 6”.

• 

  Innocence

  Encaustic medium, found clothing, fire, metal, glue pH neutral;
  28” x 31” x 16”.

• 

  Je voulais te dire (I Wanted to Tell You)

  Encaustic medium, found clothing, fire, metal, glue pH neutral;
  29” x 18” x 5”.

• 

  Baptême du feu (Baptism by Fire)

  Encaustic medium, found vintage clothing, artificial flower, metal, fire, glue pH neutral; 20” x 30” x 5”.

• 

  Le défaut de la cuirasse (Point of Weakness)

  Encaustic medium, found clothing, found artificial flower, metal;
  18” x 40” x 5”.

• 

  Forger son âme (Forging One’s Soul)

  Encaustic medium, found clothing, found artificial flower, metal;
  22” x 40” x 5”.

• 

  Les fleurs de l’enfer (Hell’s Flowers)

  Encaustic medium, cotton, found artificial flowers, burlap, aqua-dispersion of pigment, fire, metal; 18” x 45” x 5”.

• 

  Jamais plus (Never Again)

  Encaustic medium, cotton, aqua-dispersion of pigment, metal;
  18’’ x 40’’ x 3’’.

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Origine (Origin) #1

  Found, deconstruct, and repurposed jeans
  (fibre composition unknow, top part only), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
  14” x 14” x 5”.
  

• 

  Origine (Origin) #2

  Origine (Origin) #2
  Found, deconstruct, and repurposed jeans
  (fibre composition unknow, top part only), encaustic medium, fire, staples, Pan Pastels on a 8” circular wood panel;
  10” x 10” x 4”.
  

• 

  Origine (Origin) #3

  Found, deconstruct, and repurposed jeans
  (fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
  17” x 13” x 6”.
  

• 

  Origine (Origin) #4

  Found, deconstruct, and repurposed jeans
  (fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
  14” x 14” x 5”.
  

• 

  Origine (Origin) #5

  Found, deconstruct, and repurposed jeans
  (fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 10” circular wood panel;
  12” x 12” x 5”.
  

• 

  Origine (Origin) #6

  Found, deconstruct, and repurposed jeans
  (fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
  14” x 14” x 5”.
  

• 

  Origine (Origin) #7

  Found, deconstruct, and repurposed jeans
  (fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
  14” x 14” x 5”.
  

• 

  Origine (Origin) #8

  Found, deconstruct, and repurposed jeans
  (fibre composition unknow), encaustic medium, fire, staples, Pan Pastels on a 12” circular wood panel;
  14” x 14” x 5”.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Avec toi (With You)

  Encaustic, found shoes, cotton, plant material, pigment stick, Lepage PL 3X glue and acrylic primer covered by two coats of encaustic gesso,
  on braced wood panel; 30” x 30”.

• 

  Émerger (Emerge)

  Encaustic, found and repurposed shirt, sand, plant material, on braced wood panel;
  30” x 30”.

• 

  J’entends sa voix (I Hear her Voice)

  Encaustic, plant material, burlap, metal, silk, on braced wood panel;
  30” x 30”. Framed.
  

• 

  C’est lui (It’s Him)

  Encaustic, found clothing, plant material, fire, on braced wood panel; 30” x 30”. Framed.

• 

  Rêver aux arbres (Dreaming of Trees)

  Encaustic, found clothing, plant material, fire, on braced wood panel; 30” x 30”. Framed.

• 

  Perdue et retrouvée (Lost and Found Again)

  Encaustic, found clothing, burlap, pastels on a braced wood panel;
  24” x 24”.

• 

  Tu es partie (You Went Away)

  Encaustic, plant material, cotton, silk, R&F Pigment Sticks, fire,
  encaustic gesso, on a braced wood panel; 24” x 24”.

• 

  Quelque part (Somewhere)

  Encaustic, burlap, silk, on a braced wood panel; 24’’ x 24’’.

• 

  Un souvenir (A Memory)

  Encaustic, found clothing, silk, graphite, walnut ink, fire, on two braced wood panels (12” x 12” each); 12” x 24”.

• 

  Une séparation (A Separation)

  Encaustic, found clothing, silk, metal, dry pastels, fire,
  on two braced wood panels (12” x 12” each); 12” x 24”.

• 

  Promenade d'été (Summer Stroll)

  Encaustic, R&F Pigment Sticks, cotton, on braced wood panel; 16″ x 16″.

• 

  Promenade d’hiver (Winter Stroll)

  Encaustic, R&F Pigment Sticks, cotton, on braced wood panel; 16″ x 16″.

• 

  Seul (Alone)

  Encaustic, cotton, metal, R&F Pigment Sticks; 16” x 16” x 2.75”.

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Où suis-je ? (Where Am I?)—Series of four paintings—Number 1

  Encaustic, silk, fire, on braced wood panel; 12” x 12”.

• 

  Où suis-je ? (Where Am I?)—Series of four paintings—Number 2

  Encaustic, silk, fire, on braced wood panel; 12” x 12”.

• 

  Où suis-je ? (Where Am I?)—Series of four paintings—Number 3

  Encaustic, silk, fire, on braced wood panel; 12” x 12”.
  

• 

  Où suis-je ? (Where Am I?)—Series of four paintings—Number 4:

  Encaustic, silk, fire, on braced wood panel; 12” x 12”.

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 1:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 2:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 3:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 4:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 5:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 6:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 7:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

• 

  Gouttes – Série numéro 2 (Drops – Series number 2)

  Series of 8 works on Yupo Paper (200 gsm)—Number 8:
  Sennelier shellac based ink on yupo; 11” x 14”.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 1:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 2:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 3:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 4:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 5:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 6:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 7:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

• 

  Dédales (Mazes)

  Series of 8 works on paper — Number 8:
  Sennelier shellac-based ink on yupo (200 gsm);
  11” x 14”.

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Nuit rouge (Red Night)

  Series of 4 works on Yupo Paper (200 gsm)—Number 1:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

• 

  Nuit rouge (Red Night)

  Series of 4 works on Yupo Paper (200 gsm)—Number 2:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

• 

  Nuit rouge (Red Night)

  Series of 4 works on Yupo Paper (200 gsm)—Number 3:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

• 

  Nuit rouge (Red Night)

  Series of 4 works on Yupo Paper (200 gsm)—Number 4:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Bleu nuit (Night Blue)

  Series of 4 works on Yupo Paper (200 gsm)—Number 1:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

• 

  Bleu nuit (Night Blue)

  Series of 4 works on Yupo Paper (200 gsm)—Number 2:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

• 

  Bleu nuit (Night Blue)

  Series of 4 works on Yupo Paper (200 gsm)—Number 3:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

• 

  Bleu nuit (Night Blue)

  Series of 4 works on Yupo Paper (200 gsm)—Number 4:
  Art Graf Water-Soluble Pencil on yupo; 11” x 14”.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 1:
  monotype on Arches paper (300 gsm); 18” x 21”.
  

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 2:
  monotype on Arches paper (300 gsm); 18” x 21”.
  

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 3:
  monotype on Arches paper (300 gsm); 18” x 21”.
  

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 4:
  monotype on Arches paper (300 gsm); 18” x 21”.
  

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 5:
  monotype on Arches paper (300 gsm); 18” x 21”.

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 6:
  monotype on Arches paper (300 gsm); 18” x 21”.
  

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 7:
  monotype on Arches paper (300 gsm); 18” x 21”.

• 

  Ce qui nous tient (What Is Holding Us)

  Series of eight works on paper—Number 8:
  monotype on Arches paper (300 gsm); 18” x 21”.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 1: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.
  

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 2: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 3: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 4: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 5: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 6: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 7: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.

• 

  Traces du Phœnix – Noir (Marks of the Phoenix – Black)

  Series of eight works on paper—Number 8: silk, fire, encaustic medium,
  on Velin d’Arches (Black, 250 gsm); 22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 1: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 2: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 3: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 4: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 5: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 6: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 7: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

• 

  Traces du Phœnix (Marks of the Phoenix)

  Series of eight works on paper—Number 8: silk, fire, encaustic medium, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.);
  22” x 22”.

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 1: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 2: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 3: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 4: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 5: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 6: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 7: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

• 

  Traversée vers nulle part – Dessins (Crossing into Nowhere part – Drawings)

  Series of eight works on paper—Number 8: R&F Pigment Sticks, Gamblin Cold Wax, fiberglass, dry pigments, on Arches Paper (Oil, Cold Pressed, White, 140 lb.); 22” x 22”.

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 1: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.
  

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 2: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.
  

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 3: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.
  

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 4: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.
  

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 5: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.
  

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 6: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.
  

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 7: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.

• 

  Passerelles (Footbridges)

  Series of eight works on paper—Number 8: encaustic medium, silk, aqua-dispersion of pigment, on Arches Paper (Watercolour, Cold Pressed, Bright white, 140 lb.); 8” x 22”.
  Encaustic gesso at the back of the paper.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 1: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 2: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 3: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 4: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 5: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 6: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 7: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

• 

  Brèches (Breaches)

  Series of eight works on paper — Number 8: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 22” x 22”. Encaustic gesso at the back of the paper.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Duo

  Series of eight works on paper—Number 1: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

• 

  Duo

  Series of eight works on paper—Number 2: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

• 

  Duo

  Series of eight works on paper—Number 3: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

• 

  Duo

  Series of eight works on paper—Number 4: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

• 

  Duo

  Series of eight works on paper—Number 5: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

• 

  Duo

  Series of eight works on paper—Number 6: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

• 

  Duo

  Series of eight works on paper—Number 7: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

• 

  Duo

  Series of eight works on paper—Number 8: encaustic medium, silk, on Arches Paper (Watercolour, Cold Pressed, Bright White, 140 lb.); 8” x 22”. Encaustic gesso at the back of the paper.

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 1: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 2: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 3: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.
  

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 4: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.
  

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 5: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.
  

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 6: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.
  

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 7: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.
  

• 

  Empreintes (Imprints)

  Series of eight works on paper – Number 8: encaustic medium, silk, aqua-dispersion of pigment, on Japanese Paper Kazuko Kozo;
  24.5” x 39”.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  Noire espérance (Black Hope)

  Series of four works on paper — Number 1: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
  Japanese Paper Kazuko Kozo; 19” x 24.5”.
  

• 

  Noire espérance (Black Hope)

  Series of four works on paper — Number 2: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
  Japanese Paper Kazuko Kozo; 19” x 24.5”.
  

• 

  Noire espérance (Black Hope)

  Series of four works on paper — Number 3: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
  Japanese Paper Kazuko Kozo; 19” x 24.5”.
  

• 

  Noire espérance (Black Hope)

  Series of four works on paper — Number 4: encaustic medium, aqua-dispersion of pigments, metal, cotton, on two sheets of
  Japanese Paper Kazuko Kozo; 19” x 24.5”.
  

←Prev | Next→ (4 of 23) Back to thumbnails↑

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 1: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″.
  

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 2: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″.
  

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 3: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″.
  

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 4: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″.
  

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 5: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″
  

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 6: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″.
  

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 7: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″.
  

• 

  À feu et à sang (Fire and Blood)

  Series of eight works on paper — Number 8: encaustic medium, silk, aqua-dispersion of pigments, fire, on Japanese Paper Kazuko Kozo;
  24.5″ x 39″.